Des's mother relinquishes custody of him, which he has a hard time accepting. Rita informs Des that they are trying to find him a foster home, Des takes the news with disgust and flees as soon as Cory visits him. Little Criminals is a 1996 Canadian crime drama television film directed by Stephen Surjik, written by Dennis Foon, and starring Brendan Fletcher and Myles Ferguson. The film was shot in Vancouver in the spring of 1995. It was produced by CBC Television, which aired it on January 21, 1996. My Aim Is True (the title is a line from “Alison”) is in the Top Twenty in Britain; it is likely to go higher, as Costello recently managed to get himself busted for taking his electric guitar into the streets. The LP is already getting airplay on American FM stations, and a tour of sorts is set for late fall. How far Costello can go — especially given the unfortunate timing that surrounds his assumed first name — remains to be seen, but I have a feeling that once he is heard, he is going to shake up a lot of his erstwhile peers and make many musicians whom he would not consider his peers seem quite irrelevant — he has the musical sophistication, which is to say access to the musical credibility, to do that, as, at the moment, the Sex Pistols don’t. David Cohen is a Wellington-based writer and journalist whose work has appeared frequently in publications in New Zealand and abroad. An anthology, Greatest Hits: A Quarter Century of Journalistic Encounters, Cultural Fulminations and Notes on Lost Cities, was published in 2014. The English writer Julie Burchill hailed the collection as 'a brilliant album'. The New Zealand Herald described it as 'fearless'.

Dutchcharts.nl – Randy Newman – Little Criminals" (in Dutch). Hung Medien. Retrieved October 29, 2021.

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The Wooden Shepherdess, Hughes’s last novel, begins with a long passage set in prohibition America, to which Augustine has arrived by a series of not very convincing accidents. On the lam and without resources, he hides out in New England with a gang of local kids burning away an aimless summer. Something in this situation, which is derived from Hughes’s experiences in America as a young man, brings out again all that makes him such a fine writer; it is full of beauty and strangeness. A few people are thrown together in quasi-illegal ambiguity, at once in danger and out of control, like the occupants of the pirate ship in A High Wind in Jamaica. For the narrator, it seems to be an American condition: In September 1977 the British music magazine NME published the following interview with Newman talking sardonically about his then new release: "There's one song about a child murderer," Newman deadpans. "That's fairly optimistic. Maybe. There's one called 'Jolly Coppers on Parade' which isn't an absolutely anti-police song. Maybe it's even a fascist song. I didn't notice at the time. There's also one about me as a cowboy called 'Rider in the Rain'. I think it's ridiculous. The Eagles are on there. That's what's good about it. There's also this song 'Short People'. It's purely a joke. I like other ones on the album better but the audiences go for that one." [6] Christgau, Robert (January 23, 1978). "The 1977 Pazz & Jop Critics Poll". The Village Voice. New York . Retrieved April 16, 2020.

Larkin, Colin (2007). Encyclopedia of Popular Music (4thed.). Oxford University Press. ISBN 978-0195313734. The young man who plays Des is brilliant. It is impossible to look away from him, however horrific or painful his behavior. The supporting performances are also fine, especially the step father and social worker characters. Canadian album certifications – Randy Newman – Little Criminals". Music Canada . Retrieved June 1, 2023. Over 100,000 children, between the ages of nine and sixteen passed through Epuni's doors, suffering horrendous physical and psychological abuse. White says his documentary tries to outline how we should help those Epuni alumni. "Currently the Government are trying to force through compensation for these men, which is more or less a 'take the deal and move on' or you can go through the court system. So we are essentially still victimising these men by not truly doing what needs to be done."This film considers people, most especially children, living at or beyond the margins of society. It is a worthy companion to Bunuel's "Los Olvidados". The central character, Des, is an 11 year old boy, the leader of a group of delinquents. From the outset, he is loathsome and (seemingly) without any redeeming value. The viewer's reaction to this character is disturbing; how can you hate an 11 year old. The story follows Des through one vicious episode after another. Slowly, ever so subtly, the little boy inside the monster is revealed, and circumstances which have created the monster examined.