Various EPK featurettes (Final Girl, No Place Like Haddonfield, Ending Halloween, A Different Threat, Visions of Terror and Twisted Deaths) – totalling 37 mins Since the promotional media blitz of these last three films started in early 2018, we have been besieged by writer/director David Gordon Green and its star Jamie Lee Curtis telling us how 'the little slasher franchise that could' has now been elevated into a grandiose treatise on such existential themes as trauma, the growth and damage of herd mentality and the transference and creation of evil. All of which was promised alongside paying loving homage to John Carpenter’s original and providing fans with what they REALLY wanted – a good, old fashioned slasher movie, with a body count and bloodletting to match. franchise that has spawned no less than 13 films in about four-and-a-half decades? Not likely. John Carpenter's original classic has yet to be topped, and it won't; it's not only the best in the Four years after the events of Halloween Kills, Laurie (Jamie Lee Curtis) is living with her granddaughter Allyson (Andi Matichak) and is finishing writing her memoir. Michael Myers hasn't been seen since. Laurie, after allowing the specter of Michael to determine and drive her reality for decades, has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can't control, once and for all. story of a relatively good guy who makes a mistake, is outcast, and goes bad is not terribly novel, and the film cannot find much of a significant,

Audio Commentary: Co-Writer/Director David Gordon Green, Actors Andi Matichak and Rohan Campbell, Co-Producer/First Assistant The forty-year journey of horror icon Laurie Strode and the original bogeyman Michael Myers ended with a terrifying whimper instead of the bang fans everywhere wanted and demanded. As the dust settles on David Gordon Green’s franchise trilogy, is it time for a reappraisal of the possibly misunderstood and hugely divisive final entry? Audio Commentary featuring David Gordon Green, Andi Matichak, Rohan Campbell, Attila Salih Yucer, Hugo Garza series, it's also a standard bearer in the larger Horror, and film, marketplace. There may be nothing left of value to explore in the HalloweenHalloween Ends slices up 4K Ultra HD Blu-ray with a two-disc 4K UHD + Blu-ray + Digital set. The 4K version is pressed on a BD-100 with the 1080p offering up a BD-50 disc. The discs are housed in a two-disc case with slipcover artwork. The discs load to static image main menus with standard navigation options along the bottom and the bonus features menu along the right side of the screen.

with the Michael Myers side of the universe. This film introduces a new antagonist and does little that's truly interesting or unique with him. The Yet one could argue that the greatest harm that has been done to this latest trilogy in the long-running Halloween franchise has been done by those that have created it. The Dolby Vision color grading is likewise a very nice improvement over the Blu-ray. The grading offers the usual stable of improvements, includingnarratively worthwhile, or universe building arc for him, never mind do anything to leave a lasting legacy on the franchise. Still, kudos to the film for sharper, cleaner skin definition, showing fine pores and lines and hairs with tangible improvements to overall sharpness and visibility. Even in low light are various Haddonfield exteriors, though never so sharp as to give the film an artificial look. On the contrary, this has a very natural, cinematic quality

franchise? Sure, it might very well bring this current trilogy of reboot/sequel films to a close -- it follows on the popular Halloween and Halloween Kills -- but really is this the very end of theInstead, the boy in his charge dies and, while he is not found complicit in the death, he becomes a social pariah in Haddonfield, bullied and battered